THE STORY OF THE HOUR - MY THOUGHTS

My first instinct reading this story was this is sad. You have a woman, Mrs. Mallard, who is struggling with living under oppressive circumstances. She is faced with knowing that she will never have free will to do what she pleases and then suddenly, she has become liberated by the death of her husband. 

On another note, you have unrequited love from a friend of the family, Richards. Richards is aware of the oppression Mrs. Mallard is going through. He is protective of her and seeks to be sure of the demise of her husband by double-checking before revealing the news. What is even more revealing is how he tries to shield the wife from seeing her husband’s return. It seems he is very aware of how she responded to his death as well as the joy she felt of being liberated from the oppression of men's bigotry.

By shielding her, he hoped to keep her from being shocked, knowing that her heart could not bear the excitement after experiencing the excitement of being released from male subjugation. This author gave you something to think about and made you question the thinking of women during this era.

Comments

Alicia C. said…
I like your insight into Richards character and ambitions. There is not much in the way of development for other characters besides Mrs. Mallard and Richard. I definitely felt a sense of deeper emotion coming from Richard, aimed towards Mrs. Mallard, this wasn't simply a friend being present, he felt a need to personally be there for her through this ordeal. Additionally, his are the last actions we are given any details of, short of Mrs. Mallard's death, signifying an importance of Richard, or at least his desire to be, in her life.
Tom Lavazzi said…
Yes, but be careful to note that the narrator presents Richards as a concerned "friend," and he is not developed beyond that point--i.e., the conflict lies with M Mallard; typically, in a short story, the central conflict resides with one character, due to economies of development.

Also note that, interestingly, M Mallard is not consciously aware how she was oppressed until the event (her husbands death) offers an "opening" for those thoughts to form...note also how the story's ambiguities, conflicts and struggles, are expressed first through imagery, before they become conscious, and continue to be reflected in imagery throughout the story (consider the multiple implications of an early observation, such as patches of blue sky (i.e., patches through what, literally and figuratively?)

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